Variations
featuring Richard Hogan, Sam Scott
and Paul Bloch
September 28 - October 26, 2024
Opening Reception | Saturday, September 28, 4-6 pm
Richard Hogan, Black Velvet, 1991, oil on canvas, 109 x 78 in.
With the exhibition Variations, Pie Projects presents works by three masters living in New Mexico who were inspired by music, particularly by modern jazz and its framework promoting improvisation around a theme.
The exhibition includes Richard Hogan's darkened yet mutedly luminous 'shape paintings,' Paul Bloch's lyrical marble sculptures, and Sam Scott's Brilliant Corners painted in homage to Thelonius Monk.
Widely acclaimed New Mexico painter Richard Hogan is known for his minimalist and spatially-driven works. His paintings are in numerous permanent collections, including the New Mexico Museum of Art, Santa Fe, NM; the Capitol Art Collection, State Capitol, Santa Fe; the Sheldon Memorial Art Gallery, Lincoln NE, and the Tucson Museum of Art, Tucson, AZ.
Art critic and historian William Peterson writes "In its sonority, Hogan's color can seem to take on an added physical dimension - like the physical weight of deep organ notes whose resonance you can feel as well as hear."
Santa Fe based artist Paul Bloch has been carving sculptures in marble and limestone for over forty years. He works part-time in Carrara, Italy where he lived for 12 years honing his skills at the Polvaccio quarry where Michealangelo's marbles were mined. Originally from New York, he studied anthropology, music and sculpture in Cleveland, Ohio. He has exhibited widely nationally, as well as in Italy and Switzerland.
“My sculpture is improvisational - my first inspiration was jazz. I learned to treat the stone like a piece of chewing gum which I could pull, push, and bend in any direction.” - Paul Bloch
Paul Bloch, On a Winter's Night, 2024, carrara marble, 13 x 12 x 10 in., base 12 x 12 x 2 in.
Sam Scott is one of New Mexico’s most celebrated artists. He was among the first artists to represent New Mexico at the Whitney Museum Biennial of Contemporary Art in New York City. His work is in numerous permanent museum collections. He is one of five artists in various media who have been chosen to represent the Capitol Art Collection as a 'State Treasure', in the Capitol Building of Santa Fe, NM.
Reflecting on his 1998-1990 series Brilliant Corners, Scott recently wrote "From time to time, this painter’s creative cycle has required a complete deconstruction of the known self. 'Brilliant Corners’ was one of those times; as in all art, this world exists beyond space, and beyond time. It is filled with velocity and stillness, music, and silence. These great reconciliations offered me transcendence. Thank you, Thelonius Monk."
Sam Scott, Brilliant Corners II, 1998, oil on canvas, 54 x 60 in.
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Contemporary Miniatures
featuring James Bristol, Caroline Liu, Catherine Eaton Skinner, and Cedra Wood
September 28 - October 26, 2024
Opening Reception | Saturday, September 28, 4-6 pm
James Bristol, The Silence Went Long Enough, 2024, Atlas matchbook, ball point pen (Coptic .03 pigment ink), 3 7/8 x 3 in., frame 12 x 9.25 in.
Pie Projects is pleased to announce the opening of Contemporary Miniatures on Saturday, September 20, 2024 with a reception from 4 to 6 pm.
The exhibition features miniatures and small works by James Bristol, Caroline Liu, Catherine Eaton Skinner, and Cedra Wood. From portraits on matchbooks to graphite drawings to encaustic and multi media works, the artworks attest to the delightful power of small scale.
Catherine Eaton Skinner, The Little Two, 2024, encaustic, mixed media, Milagros charms, feathers, 4 x 4 in.
Cedra Wood, Kudzu IV, 2024, graphite on clayboard, 2 x 3 in.
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Caroline Liu, The Princess and The Pea, 2024, graphite on paper, 2.5 x 2 in., frame 15 x 12 in.