John Connell (Estate)
ABOUT THE ARTIST
John Connell (1940 – 2009) was born in Atlanta, Georgia. He attended Brown University, in Providence, RI (1958–1960), the Art Students League, NY (1960–1961) and New York University (1962) where he studied Chinese print making. His first show was in New York in 1962.
In the mid-1960s, he moved to California, where he worked as the set designer for the San Francisco Mime Troupe. In the 1970s, 1980s and 1990s, he worked primarily in the Southwestern United States, where he painted large murals and was visible in New Mexico’s most respected art galleries, being part of the Santa Fe artist group Nerve and gaining a reputation for his large installations. He is particularly well known for his drawings, some of which are done in charcoal and spray paint and can be as large as twenty feet high and thirty feet wide.
Connell used plaster-of-Paris in the 1980s, and later turned to tar, paper and wax, in large figurative sculptures. He also used bronze, cement, wood, and chicken wire. His works on paper sometimes include elements of collage. In the early 1980s, he mostly gave up using commercial paints and began making his own out of iron oxide and pigments. In later paintings, he used ashes, mud and earth. His work has also included elements of writing and occasionally audio tape.
Connell’s influences included Hokusai, Rembrandt, Balzac, Dante, Giacometti and De Kooning. Buddhism is a central theme, and he cited wabi as his aesthetic.
In the mid-1960s, he moved to California, where he worked as the set designer for the San Francisco Mime Troupe. In the 1970s, 1980s and 1990s, he worked primarily in the Southwestern United States, where he painted large murals and was visible in New Mexico’s most respected art galleries, being part of the Santa Fe artist group Nerve and gaining a reputation for his large installations. He is particularly well known for his drawings, some of which are done in charcoal and spray paint and can be as large as twenty feet high and thirty feet wide.
Connell used plaster-of-Paris in the 1980s, and later turned to tar, paper and wax, in large figurative sculptures. He also used bronze, cement, wood, and chicken wire. His works on paper sometimes include elements of collage. In the early 1980s, he mostly gave up using commercial paints and began making his own out of iron oxide and pigments. In later paintings, he used ashes, mud and earth. His work has also included elements of writing and occasionally audio tape.
Connell’s influences included Hokusai, Rembrandt, Balzac, Dante, Giacometti and De Kooning. Buddhism is a central theme, and he cited wabi as his aesthetic.
Bud and Flowers of the Lotus, 2006
spray paint and oil stick on paper
80 x 42 in.
Buddha with Beams of Light, mid 2000s
spray paint and pastel on vellum
71 x 41.5 in. (framed)
Buddha, mid 1990s
bronze sculpture
8.5 x 7.5 x 5.5 in.
Rat, mid 1990s
bronze sculpture
4.5 x 11 x 9 in.
Man, mid 1990s
bronze sculpture
bronze sculpture
13.5 x 12 x 4.5 in.
Raven, mid 1990s
bronze sculpture
4 x 8.75 x 5 in.
Bamboo Window Shade, 1976
tempera on paper
48 x 32 in.
Birth of the Blue Buddha, ca.1972
temepra on paper
48 x 32 in.
Grass of the Last Sunset, mid 1970s
tempera on paper
36 x 32 in.
Taoist Cancer Ward, late 1980s
ink on paper
17 x 14 in.
Taoist Cancer Ward, The Nurse, late 1980s
ink on paper
17 x 14 in.
Cranes, Monkey, Etc., late 1980s
ink on paper
17 x 14 in.
Dog on Box, late 1980s
ink on paper
17 x 14 in.
Gardener, Dog, Wanderer, late 1980s
ink on paper
17 x 14 in.
Fat Man, Crane, Sleeping Man, late 1980s
ink on paper
17 x 14 in.
Nesting, Standing, Flying, early-mid 1990s
ink on paper
17 x 14 in.
Beast, late 1980s
ink on paper
17 x 14 in.
Woman and Man, late 1980s
ink on paper
17 x 14 in.
Einstein, ca. 1979 - 80
ink on paper
17 x 14 in.
Buddha, early 1990s
ink on paper
17 x 14 in.
Idea for Twin-Cast Buddhas, early 1990s
ink on paper
17 x 14 in.
Glitter Buddha, ca. 1992
ink and mixed media collage on paper
17 x 14 in.
Gardening, early 1990s
ink on paper
17 x 14 in.